Japan

In Japan the live music is performed in rai-bu houses (live houses), that hold 50 to 500 people. These venues are all very popular all over Japan including hundreds in Tokyo alone and in most major cities and even smaller towns. The venue does provide the Artist with all drum kits, amps, effects, cables, PA, and other stage/lighting/recording equipment and engineers. It is easy to set up a tour through Japan if you want to purchase the event yourself. Individual bands, record labels and event producers can pay to rent a live house. In Tokyo, rental fees for a decent live house can range from $1,000 to $5,000 for a Friday, weekend, or holiday night. You get the venue from about 3PM to 11PM; this time includes set up, sound checks, a 2 to 3 hour show, and clean up. There are hefty charges if you go overtime. Some live houses will hold auditions and then "book" bands for certain nights. 3-5 bands may be booked for the night. To assist with the costs of the venue the artist is required to sell tickets for the event. For Foreign groups auditions are via video submission and if the promoter of the venue has heard about you, can ask about you, or find some presence of your group on a Japanese site in Japanese then the Foreign Groups can get these requirements waved if the venues believe that you will bring them in money. There are also several festivals and events through out the country that have foreign independent artist on the ticket. The Artists chosen are the ones that have fans in Japan, a Japanese web presence, and know the right people to send the Artist’s press kit to. Since Japan is about the size of California State and the train system vast, fast and reliable, it is possible to play gigs in many major urban areas throughout Japan. The two major metropolitan areas are Tokyo and Osaka which together have a population of 21 million people. Nagoya is the 3rd largest city. The bullet train can take you to northern cities like Sendai and Niigata or southern cities like Fukuoka and Hiroshima in several hours. Japanese Radio Market is very different than American systems. There is no ability to really “pay for play” because there is no such thing as rotation. It is a spin by spin basis solely based on the person in control of that segments programming on the station. This means that an unknown Artist could send there CD but the likely hood of the music being played if you are an unknown is very unlikely. As an Independent Artist you need to have a relationship with people who can deliver your music personally to the people who control the spins. The Independent Artist also needs to have some form of fan base or awareness in the stations area. Unlike in the West, in Japan you do not have to pay thousands of dollars for "radio promotion" because there are only 3 major FM radio network companies in Japan: JFN, JFL and Mega Net (and a few independents). Each prefecture in Japan has at least one FM station under the big 3 and maybe an independent. FM in Japan is from 76 to 90 MHz, resulting in a very limited number of possible stations due to Japan's geography; it is very mountainous. In Tokyo and Osaka together there are only a handful of FM radio stations. However, like in the West, there is now broadband radio which is now taking over a major market share. To Assist the Artist in setting up a productive Japanese tour we submit video footage from the group to various venues throughout Japan. We wait for a response from the venues on what it would take to set up a tour for the group. The venue will notify us if they are willing to waive the requirements for the Artist or if the Artist has to rent the venue. If the Artist is an unknown usually the response is for the Artist to rent the venue. In these instances we have two options; we can go forward and rent the venues, have more than one group go on the tour to share costs, or we can do a minimal marketing campaign to introduce the Artist to the areas we are wanting to tour, test out the music in the markets, and view the response to start building awareness and a fan base. We will primarily focus on three areas of marketing the music to Japan; Viral, Venue/Club and Radio Marketing

Viral: We will create you a website on major Japanese website translated into Japanese. Then promote this site through various Japanese music blogs and networking sites. If the Artist have ITunes or other sites that have Japanese downloads available this will be promoted also.

Club/Venue:We distribute you music, press kit, and additional information on the group that sets them apart. We will keep them informed of all press received through the viral marketing. We will also stay in contact with them on the Artists group’s behalf.

Radio: We will submit your music and product to the station and programming director with your information in Japanese. We stay in communication with these individuals to assist in getting them to spin your music and eventually become fans. Any promotional material the artist’s group has, will be forwarded over to these individuals also. This initial campaign will start to establish the Artist group as a force in the Japanese market. It will also let us know if we are going the right direction with the artist and how we can improve the profitability of the Artist in this Market. The Japanese were the number two music purchasers in the world and the country is only the size of the state of California.

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